Burying the Ex
A Film by Joe Dante
Production Notes
SYNOPSIS:
Some
relationships just…Won’t…Die…
In Burying
the Ex, a new film from visionary director Joe Dante, a
twenty-something’s romance with his dream girl takes an unexpected turn when
his dead ex-girlfriend rises from the grave and thinks they’re still
dating. Seamlessly merging classic
horror with screwball comedy and a poignant romance, Burying the Ex is a radically unique spin on the zombie genre.
Max (Anton Yelchin) is head-over-heels in love with his
girlfriend Evelyn (Ashley Greene), a beautiful and headstrong environmentalist
who’s just as crazy about him. Their relationship takes a nosedive,
however, when Evelyn moves in with Max and turns out to be not only controlling,
but also insanely jealous. Max decides it’s time to call it quits, but
just as he’s about to break up with Evelyn, she’s struck by a bus and killed.
Max mourns Evelyn’s passing and eventually learns to
move on with his life with some guidance from his ne’er-do-well womanizing
half-brother Travis (Oliver Cooper). One night, while attending a zombie
movie double feature, Max meets Olivia (Alexandra Daddario), a cute and spunky
hipster who shares Max’s passion for all things classic horror. The two
go on a date and instantly hit it off. Max returns to his apartment on
cloud nine, but gets the surprise of his life when he discovers that Evelyn has
returned from the grave as a horrifying, rotting zombie!
Max soon realizes that his only chance at a future with
Olivia relies on him doing the unthinkable: breaking up with Evelyn, a
maniacal zombie who’s determined to do whatever it takes to get her happily
ever after.
ABOUT THE
PRODUCTION:
Great
things start from small beginnings…
Burying
the Ex began its life as a short film written and
directed by screenwriter/producer Alan Trezza in 2008. “The concept of an ex coming back to haunt
you even after they’ve died had too much drama, theme and pathos to confine it
to a short, and I felt compelled to expand it to a feature film,” Trezza
says.
Trezza presented the short film to his colleagues at Act
4 Entertainment to see if they’d be interested in taking it on as one of their
projects. Producer David Johnson, Act
4’s Founder, was taken by the short film’s unique tone and humor and quickly
began developing it.
In a few short months, Trezza adapted his fifteen-minute
short into a ninety-page screenplay that eventually found its way into the
hands of legendary filmmaker Joe Dante. Dante
and Trezza met and instantly formed a connection. Says Dante, “There’s a certain retro quality
to the movie, but that’s in the script, because Alan grew up like I did, with
these kind of films, and he loves them.”
Johnson had also been a fan of Dante’s work and found him to be the
perfect collaborator on Burying
the Ex. “Joe’s
experience, expertise and skill as a filmmaker is unparalleled in this genre
and I cannot think of a better director to take the helm on this funny and yet
emotionally-affecting project,” Johnson says.
Dante and Trezza quickly began looking for ways to
finance what they felt was an entirely new spin on the age-old zombie
genre. After several meetings with
various production companies, Alan found producer Carl Effenson of Artimage
Entertainment, who had just produced the character-driven drama Hide Away starring Josh Lucas.
Effenson and his partners Kyle Tekiela and Sally Jo Effenson saw
tremendous potential in the project and were especially thrilled by the
opportunity to work with a master filmmaker like Joe Dante.
During the search for financing, Tekiela, through his childhood
friendship with producer Frankie Lindquist, gave Scooty Woop Entertainment the
script. Lindquist and her producing partner at Scooty Woop, Mary Cybriwsky,
took an instant liking to the project and came onboard as producers. Says Lindquist, “When I read the script I enjoyed it so much that I forgot
that I was working. It was refreshingly
fun, had a great story and, with Joe directing, I knew that we had to get
involved to make this film.” Scooty Woop then brought Cassian Elwes onto
the project and together they cast the film and closed the financing.
“I'm a massive fan of Joe’s work and was thrilled to work on a movie with him,”
says Elwes. “Not only is it one of his
best, but it’s fun, funny and extremely entertaining.”
Elwes later
brought the project to Voltage Pictures who he had just worked with on Dallas Buyers
Club. Upon
reading the script, Voltage Pictures agreed to finance and co-produce the
film.
With the production team in place and the film fully financed, the
producers went about finding the right actors to populate the bizarrely comic
world of Burying
the Ex.
Casting
the Ex
For the lead role of Max, a twenty-something horror aficionado,
the filmmakers found themselves with the unenviable task of finding an actor
with enough charm to attract two women and end up in a love triangle, while
remaining likeable enough that audiences would sympathize with his dilemma.
Dante felt a particular affinity for the main
character. “Our hero is a guy who knows
and loves horror movies,” he says. “He
works in a horror movie store, he’s maybe a little socially backward – all the
things that those of us who call ourselves ‘monster kids’ are and have
been. So it’s a very relatable story for
me.”
Anton Yelchin, recently seen in Star Trek and its sequel Star
Trek Into Darkness, had always been a favorite of the
filmmakers. Yelchin had been an admirer
of Dante’s films and was eager to work with him on the project. “When I think of this movie, I think of it as
more of a Joe Dante film than a genre movie, because he’s always represented a
very specific take on genre and he’s always created genre films that were
always aware of their genre.”
Yelchin responded to the material in the same manner as
Dante and the other producers. “What’s
great about the tone of this script is that in a lot of ways it’s like a
screwball horror film, ‘cuz it’s got very screwball comedy scenes, and so it
brings to mind His
Girl Friday or some of the Preston Sturges screwball
moments where the dialogue is actually heightened and the pace is heightened.”
The next casting challenge was no easier than the
first. Now, the filmmakers needed to
find someone to play Max’s undead love interest, Evelyn: a beautiful woman and
a horrifying monster, the perfect girlfriend and a jealous ex. It would take an actress of exceptional
talent to portray all of Evelyn’s facets.
When the producers came across Ashley Greene, known for
playing Alice Cullen in The
Twilight Saga, they knew they had found their perfect
Evelyn. She understood the complexity of
the character, explaining “she has a little bit of jealousy and vulnerability
because she’s very afraid of losing Max, because he’s basically all that she
has.” Greene felt that she could
empathize with the character, acknowledging that “…she does get a little
extreme at times, but you kind of see where she’s coming from. It’s that tragic thing that a lot of people
do where you are so clinging on to someone that you actually push them away.”
For Max’s new love interest, Olivia, the filmmakers
needed to find an actress who possessed the spunk and screen presence to match
Greene, but who would also contrast strongly in personality and demeanor. The filmmakers cast Alexandra Daddario, who
played Annabeth Chase in the Percy
Jackson series and co-starred in HBO’s critically
acclaimed series True
Detective alongside Matthew McConaughey and Woody
Harrelson. With Daddario, the filmmakers
knew they had found an actress with amazing range and comedic ability who also
had instant chemistry with Yelchin.
On Olivia, Daddario explains, “She's a really, really
likable girl. I think she's offbeat; she's a little alternative, a little
awkward, which was really fun to bring that part of myself out. In regular life
we're all a little awkward, but we're always trying to hide it, and it was nice
to not have to hide it as much for this character. She's just a really cool
girl.”
Alexandra was also thrilled by the opportunity to work
on a project on a smaller scale than the giant budgeted Percy Jackson films. “It's great! It’s a
little bit different, there’s no green screen, and there’s more, on a daily
basis, more interaction between the characters than, you know, something huge
like Percy
Jackson where you're just doing weeks and weeks of
green screen and not a lot of dialogue. So, it's a lot of fun.”
For Max’s womanizing, ne’er-do-well half-brother Travis, the
filmmakers turned to Oliver Cooper, a former stand up comedian who had starred
in the box office hit Project
X. Like many of
the other contributors to the project, Cooper was intrigued by the script’s
unique take on traditional zombie lore.
“I think in Burying
the Ex the zombies are
real people and they’re kind of the same soul and type of person that they were
before they died,” says Cooper. “I think
that’s an interesting element that I don’t know if I’ve seen that in a zombie
movie.”
Bringing
the dead to life
One of the most important aspects of any horror film, naturally, is
creating the perfect monster. In Burying the Ex the filmmakers faced the unique challenge of creating a zombie with
more life, personality and beauty – albeit of the morbid variety – than
audiences are used to seeing. “Zombie Evelyn can talk, she can run, she’s extremely powerful
— everything that she was, good or bad, has been magnified exponentially,” says
screenwriter Alan Trezza. It was crucial
to find a special effects artist capable of creating a perfectly grotesque
and beautifully terrifying Zombie Evelyn.
There was only one man for the job: special effects
make-up wiz Gary Tunnicliffe, known for his groundbreaking work on the Hellraiser franchise. “Gary does the
special effects and he’s phenomenal. He’s been doing this forever,”
gushes Greene. “It’s really cool to see
him create a character alongside me… I’ve never had a face cast. I had
that. So now there’s a dummy with my face on it that’s really, really creepy.” Tunnicliffe even had Greene wear multiple
contact lenses at the same time, some red, some milky white. “I’ve never worn contacts like this,” says
Greene. “There’s actually two layers of
contacts in my eyes on top of each other.”
Although challenging and uncomfortable at times, Greene
was thrilled with the end result. “By
the end of the movie her flesh is falling off and she’s lost everything that
makes her positive and she’s just kind of the green-eyed monster that people
warn us about. She completely turns into that.”
“Los Angeles is a character in this film…”
Although
the idea of a dead ex-girlfriend returning from the dead to sabotage her former
boyfriend’s new romance might seem outlandish, it was imperative for the
filmmakers to ground their story in reality.
Following this rule, screenwriter/Producer Alan Trezza made sure to
include LA institutions as The Hollywood Forever Cemetery and the New Beverly
Cinema in his screenplay. “Los Angeles
is truly a character in this film and it was important to feature as many LA
spots as possible in order to offset some of the more insane things that happen
throughout the film,” says Trezza. “Miraculously the film came together in Hollywood, where it’s
set. It’s a very Los Angeles specific
movie. And we got to sleep in our own
beds at night,” said Dante. Elaborates
Cybriwsky, “We were very lucky to shoot at so many iconic Los Angeles locations
and, despite the tight shooting schedule, production was fun and smooth thanks
to Joe, the talented cast and professional crew. Together we made a classic Joe
Dante film - the humor, the styling, the timeless quirkiness – it's really
something special that we are proud to have put on screen.”
ABOUT THE CAST:
ANTON YELCHIN (Max)
Anton Yelchin is one of the Hollywood’s most sought after young actors. With highly acclaimed performances in Like Crazy, Star
Trek, Terminator
Salvation, The Beaver and Charlie Bartlett, Anton has quickly become a household name.
2013 has been a busy year for Anton.
He reprised his role as “Pavel Chekov” in Paramount’s Star Trek Into
the Darkness and his role as “Clumsy Smurf” in Sony’s Smurfs 2. Anton also voiced the lead
character in the English version of the film From Up On Poppy Hill.
Anton recently completed filming Cymbeline alongside Ethan Hawke and Ed Harris, which is a modern-day
retelling of the play by William Shakespeare.
Prior to that Anton starred in director William H. Macy’s Rudderless alongside Laurence Fishburne, Billy Crudup and Felicity Huffman and
in 5
to 7 with Glenn Close and Frank Langella. He also garnered critical acclaim for his
starring role in Stephen Sommer’s Odd Thomas.
Audiences will next see Anton in Jim Jarmusch’s film Only Lovers Left
Alive in which he stars alongside Tilda Swinton, Tom
Hiddleston and Mia Wasikowska, which premiered at the Cannes Film Festival this
spring, and he wrapped production on Broken Horses with
Vincent D’Onofrio and Chris Marquette.
Most recently Anton completed filming Burying the Ex for director Joe Dante and The Dying of the
Light for director Paul Schrader. His upcoming projects include Driftless Area and Squirrels.
Anton received critical acclaim for his starring role in Drake
Doremus’ film Like
Crazy for which he was honored with the “Artist to
Watch” Award at 2011 Aspen Film Festival and the “Hollywood Spotlight Award” at
the 2011 Hollywood Film Festival. Anton
also garnered praise from critics for his performance as “Porter Black” in The Beaver, co-starring Mel Gibson and directed by Jodie Foster.
Anton’s film credits include a starring role opposite Colin Farrell
and Tony Collete in Disney/Dreamworks thriller Fright Night; he voiced the character of “Albino Pirate” in animated feature, The Pirates Band
of Misfits, starring Hugh Grant and Salma Hayek; he
starred as “Kyle Reese” in Terminator
Salvation opposite Christian Bale and Sam Worthington
and he starred in Charlie
Bartlett as a title character opposite Robert Downey
Jr.
Additional films include Alpha Dog opposite
Bruce Willis; Hearts
in Atlantis opposite Anthony Hopkins; Fierce People opposite Diane Lane; Middle of Nowhere
opposite Susan Sarandon; House
of D opposite Robin Williams and New York, I Love
You with all the stars cast.
Anton has also appeared on some of television’s most critically
acclaimed dramas including the Showtime series Huff
for two seasons and guest starring roles on Criminal Minds and Law
and Order.
ASHLEY GREENE
(Evelyn)
Ashley Green is globally known for her role as vampire Alice Cullen
in Summit Entertainment/Lionsgate’s global phenomenon The Twilight Saga franchise. The five films
broke box-office records worldwide, cementing the franchise’s place in history
as one of the most commercially-successful of all time.
The Jacksonville, Florida native will be seen next in Shangri-La Suite playing Priscilla Presley, Lorne Michaels’ Staten Island Summer, and the Joe Dante-directed comedy, Burying the Ex. Past film credits include: CBGB, Butter,
The Apparition and Skateland.
Greene is currently the global ambassador of OAKLEY Women’s
Eyewear. She was previously the face of
brands including DKNY, DKNY Jeans, Avon’s Mark beauty and fashion brand, and
SOBE Lifewater. She is active in the
philanthropic initiative known as m.powerment, which raises awareness and funds
to help break the cycle of dating abuse and partner violence affecting young
women.
She was the recipient of the 2009 Teen Choice Award for Fresh Face
(Female); and the 2010, 2011, and 2012 recipient of the Teen Choice Award for
Scene Stealer (Female).
ALEXANDRA DADDARIO
(Olivia)
Alexandra Daddario garnered massive critical, fan and viral
attention with her breakout role on the HBO series True Detective, alongside Woody Harrelson and
Matthew McConaughey. The series
premiered in January 2014, centering on two detectives whose lives collide and
entwine during a 17-year hunt for a serial killer in Louisiana. Daddario played scene-stealer Lisa Tragnetti,
a beautiful court reporter whose affair with Harrelson’s character takes a dark
turn.
Up next, Daddario will co-star
opposite Dwayne “The Rock” Johnson in Warner Bros/New Line earthquake disaster
epic San
Andreas. Later
this year, she will be seen in the Joe Dante-directed film, Burying the Ex.
Previously, Daddario starred
as Annabeth Chase in FOX’s Percy
Jackson young-adult film franchise. Based on the best-selling
Rick Riordan book series, the first film, Percy Jackson & the
Olympians: The Lightning Thief, was released in 2010
and grossed over $227 million worldwide.
The sequel, Percy
Jackson & the Olympians: Sea of Monsters was released in August 2013 to a similar reception.
Daddario has been
working in the industry for almost a decade.
Past film credits include Lionsgate’s Texas Chainsaw
3D which opened number one at the box office on January 4,
2013. A succession to the 1974 original
film, Daddario followed in the legendary footsteps of past Leatherface
protagonists, Renee Zellweger and Jessica Biel.
She was also seen in Farrelly Brothers’ Hall Pass (2011), Bereavement
(2011), The
Attic (2008), The Babysitters (2007), The Hottest State (2006), and The Squid and the Whale (2005).
Past TV credits include
New Girl (2014), Parenthood (2012), White Collar (2009-2010), Law & Order Criminal Intent (2005-2009),
Nurse Jackie (2009), Damages (2009), and The Sopranos (2006). She got her start on All My Children in 2003.
Daddario was named one
of V Magazine’s “Faces to Watch in 2011” and was nominated for an MTV Movie
Award in 2013.
A New York City native, she currently resides in Los Angeles,
CA. She enjoys playing the piano,
singing, swimming, running track and ice-skating.
OLIVER COOPER
(Travis)
Oliver Cooper made his way to Los Angeles in 2009 at the age of 19
to pursue his career as an actor and quickly landed a job interning at CONAN. While navigating the landscape that is the actor’s life in
Los Angeles, Cooper caught wind of an audition for the Todd Phillips produced
movie Project
X, a found footage, house party comedy. The film
was looking for three new faces as the film’s co-leads, and Cooper landed an
audition and was soon offered the role of Costa. His debut performance
earned him two MTV Movie Award nominations for Best Comedic Performance and
Best On-Screen Dirtbag.
Following up on the success, Cooper co-starred in the film Runner Runner alongside Justin Timberlake and Ben Affleck. Additionally, he
partnered with aspiring director Joe Burke, a friend from Ohio, and the two set
out to write and produce their own independent feature. The result became
Four
Dogs, a slacker comedy, in which Cooper starred and
Burke directed. The film premiered at the 2013 Los Angeles Film Festival
to solid reviews and was subsequently released via Vimeo’s On-Demand platform
in 2014.
Most recently, Cooper guest starred on the final season of
Showtime’s Californication as Levon, Hank Moody’s (David Duchovny) illegitimate son.
He’ll next be seen co-starring in the upcoming film Burying The Ex, a zombie comedy starring Alexandra Daddario, Ashley Greene, Anton
Yelchin, and directed by Joe Dante.
ABOUT THE
FILMMAKERS:
JOE DANTE (Director)
Joe Dante is a
graduate of the Philadelphia College of Art. After a stint as a film
reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for
Roger Corman’s New World Pictures. He
made his directorial debut in 1976 with Hollywood Boulevard (co-directed with Allan Arkush), a thinly disguised spoof of New
World exploitation pictures, shot in ten days for $60,000.
In 1977 Dante made his solo debut as a film director with Piranha (1978), which went on to become one of the company’s biggest hits
and was distributed throughout the rest of the world by United Artists. Next, Dante directed the highly praised
werewolf thriller The
Howling (1981) for Avco-Embassy, followed by the
“It’s a Good Life” segment of Twilight
Zone: The Movie (1983).
Having worked with Steven Spielberg on Twilight Zone, Dante was chosen to helm one of the first Amblin Productions for
Warner Brothers, Gremlins (1984), which became a runaway hit and grossed more than $200
million worldwide.
Dante followed up with Explorers (1985) for Paramount, a sci-fi fantasy about three kids who build their own
spaceship starring Ethan Hawke and River Phoenix, and then Innerspace (1987) for Guber/Peters, Amblin and Warner Bros., an action comedy
in which miniaturized test pilot Dennis Quaid is injected into the body of
supermarket clerk Martin Short.
Tom Hanks starred in Dante’s next film for Imagine/Universal, The ‘Burbs (1989), which was followed by Gremlins 2: The New
Batch for Warner Bros. in 1990. Matinee, featuring John
Goodman as a huckster showman premiering his new horror film during the Cuban
missile crisis, was a production of Dante and partner Mike Finnell’s Renfield
Productions for Universal in 1993.
Dreamworks/Universal’s Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes:
Back in Action featuring one of Dante’s favorite
actors, Bugs Bunny.
Dante’s 3D thriller, The Hole, for Bold
Films premiered at the 2009 Venice International Film Festival where it
garnered the first-ever award for Best 3D Feature and had its North American
premiere at the 2009 Toronto International Film Festival.
ALAN TREZZA (Writer/Producer)
Alan Trezza
oversaw the production of The
Man Nobody Knew: In Search of My Father CIA Spymaster William Colby about controversial former CIA Director William Colby. The film played for over six months in more
than 60 cities across the U.S. and received outstanding reviews from The Wall
Street Journal, Washington Post, and The Atlantic, in addition to being the “Critics
Pick” in the New York Times.
In addition to writing the
screenplay for Burying
the Ex, Alan has also sold screenplays to Miramax Films
and Paramount Pictures. His most recent
script, a supernatural thriller entitled Sanctuary is set up at Paramount Pictures with Joel Silver (The Matrix, V for
Vendetta) producing.
Alan has worked as an executive for
Scott Free Productions, where he developed projects directed by Ridley Scott
and Tony Scott including Robin
Hood and Body of Lies; and for
Drew Barrymore’s Flower Films, where he worked on Donnie Darko: The Director’s
Cut starring Jake Gyllenhaal and Fever Pitch.
Alan has written and directed
several short films including the short film version of Burying the Ex, which played at numerous festivals around the world including San
Diego Comic-Con.
DAVID JOHNSON (Producer)
David Johnson is
the founder of Act 4 Entertainment, a Los Angeles-based filmed entertainment
and new media content company created in 2007 to motivate and inspire audiences
across the world toward social action.
Act 4 is in development on approximately 20 feature film, television and
new media projects.
Johnson most recently produced the
live stage musical version of American
Psycho at the Almeida Theatre in London. He executive produced The People Speak, a feature-length documentary with Matt Damon and other actors and
musicians based on Howard Zinn’s book A People’s History of the United States, for the History Channel; and Angels in Exile, about street kids of Durban, South Africa narrated by Charlize
Theron; and produced The
Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby, about the career and family life of controversial CIA director
William Colby.
Johnson was a founder of Agility
Capital, LLC, a venture fund for early stage companies, and had previously
served as senior executive vice president at Metro-Goldwyn-Mayer Inc. Prior to
MGM, he was a partner of the international law firm White & Case.
Johnson is a graduate of Yale College and Harvard Law School.
MARY CYBRIWSKY (Producer)
Mary Cybriwsky is an independent manager and producer
with over 11 years experience working in entertainment. Prior to opening production/management
company Scooty Woop Entertainment in 2009 with Frankie Lindquist, Mary worked
in all aspects of film development and production as an executive at Mosaic
Media Group/Atlas Entertainment under the prolific producer Charles Roven and
his team, on projects such as The Dark Knight, Get Smart, The International, and The Bank Job, amongst others.
Originally from Philadelphia, PA, and with a film
production degree from Syracuse University, Mary’s fascination with film and
television’s unique ability to influence the audience’s emotions drives her
enthusiasm to work in entertainment.
She’s passionate about creating unique, entertaining, and substantive
content, as well as working with and breaking new writing and directing talent.
Scooty Woop Entertainment manages an impressive
roster of emerging writer and director clients working in film and television,
and has several film and television projects in active development and
pre-production. Currently, Mary is an
executive producer of the independent feature Sticky
Notes starring Ray Liotta,
Rose Leslie and Justin Bartha slated for release in 2015.
KYLE TEKIELA (Producer)
Kyle Tekiela is
a five-time Emmy Award-winning Editor and Producer with nearly 10 years of
professional experience. While
contracted by the TNT and TBS Networks, he produced and edited nearly 250
videos for their vast slate of programming including The Closer, Major Crimes,
Falling Skies, Dallas, and the new hit The Last Ship, Executive Produced by Michael Bay.
His refined editorial sensibilities are directed towards projects with
strong thematic content, as well as dramatic stories with a visceral and
identifiable human element.
Kyle’s unique combination of production and post production
knowledge provides a distinctive eye for material suited for both theatrical
and television production, and enables him a distinct creative advantage both
on set and in the edit. Alongside his
producing partner Carl Effenson, the two are a powerhouse team of turn-key
experience.
CASSIAN ELWES (Executive Producer)
Wikipedia calls
Cassian Elwes one of the most important figures in independent cinema.
Elwes began his producing
career with 1983's "Oxford Blues" starring Rob Lowe and Ally Sheedy
and quickly went on to make another 29 films, including "Men At
Work," with Emilio Estevez and Charlie Sheen, and "The Chase"
with Sheen.
In 1995, Elwes
joined William Morris and headed William Morris Independent for 15 years. He
financed such indie hits as "Slingblade" and "The Apostle,” both
of which were nominated for multiple Oscars. "Monster's Ball" was
their follow up, which won the “Best Actress” Oscar for Halle Berry, the first
African American woman to do so.
Elwes is
considered an expert in the field of arranging financing and distribution for
independent films having done so for 283 films during his tenure at William
Morris Independent.
Since leaving
William Morris Independent 4 years ago, Elwes has been involved in arranging
financing and distribution for 30 films including “Lawless,” directed by John
Hillcoat, and starring Shia LaBeouf and Tom Hardy. The thriller “The Paperboy,”
directed by Lee Daniels, starring Matthew McConaughey and Nicole Kidman, and
“Ain’t Them Bodies Saints” starring Rooney Mara, Casey Affleck and Ben Foster,
which was nominated for a Gotham Independent Film Award for “Best Feature.”
Elwes produced the
hit period drama “Lee Daniels’ The Butler,” which featured an all-star cast
headed by Forest Whitaker and Oprah Winfrey. He also executive produced “All Is
Lost” directed by J.C. Chandor and starring Robert Redford and executive
produced and arranged financing for the Oscar winning hit “Dallas Buyers Club”
directed by Jean-Marc Vallee, starring Matthew McConaughey, Jared Leto and
Jennifer Garner.
NICOLAS CHARTIER (Executive Producer)
Nicolas, the
Academy Award winning producer of The Hurt Locker, has been involved
in the financing, production and sales of a diverse range of films for the past
10 years. In 2005, he founded Voltage Pictures, an International
financing, sales and production operation. He has handled over 150 movies in
the past 6 years. The Hurt Locker was Voltage Pictures’ first
in-house production and claimed 6 Oscars in 2009, including Best
Picture. Killer Joe was Voltage’s second in-house film, directed by
William Friedkin and starred Matthew McConaughey and Emile Hirsch, which was
released by LD Entertainment. Recently Nicolas produced The Company
You Keep, directed by Robert Redford and starring Robert Redford, Shia LaBeouf,
Nick Nolte, Susan Sarandon, Julie Christie and Brit Marling which premiered at
the 2012 Venice Film Festival and will be released April 5th, 2013 by Sony
Pictures Classics. More recently Nicolas executive
produced The Necessary Death of Charlie Countryman directed by
6-time DGA nominated director Fredrik Bond, starring Shia LaBeouf and Evan
Rachel Wood. He also executive produced Don Jon’s Addiction written
and directed by Joseph Gordon-Levitt. Joseph Gordon-Levitt also stars
alongside Scarlett Johansson and Julianne Moore in his directorial debut, which
will premiere at Sundance in 2013. Nicolas currently is producing Zero
Theorem being directed by Terry Gilliam and starring Christoph Waltz.
Prior to forming
Voltage, Chartier was VP of sales and acquisitions at Myriad Pictures. He has
been involved in the sales of a diverse range of films there such as The
Good Girl and Van Wilder. As the president of Vortex Pictures, he
sold titles such as My Big Fat Greek Wedding and Nicolas
Cage’s Sonny. As head of sales and acquisitions at Arclight Films,
Chartier acquired Dean Devlin's The Librarian, 2006 Academy Award winner
Crash and The Matador starring Pierce Brosnan. During his time
at Arclight, Chartier also sold Lord of War starring Nicolas Cage
and The Merchant of Venice starring Al Pacino.
JONATHAN HALL (Director of Photography)
Jonathan Hall
began his career as a cinematographer through a love for inline skating and
extreme sports. On his path towards
becoming a professional skater, Jonathan suffered a career-ending injury when
he broke his ankle and was put on bed rest for three months – a virtual death
sentence in the skating world. The skate
company that was sponsoring Jonathan at the time decided to give him a Sony
digital 8mm camcorder and have him document other skaters from the
sidelines. Jonathan found that he loved
shooting skate videos more than skating itself.
Skate videos soon became secondary to his interest in the art of
narrative filmmaking, and after graduating from the prestigious Brooks
Institute of Photography, Jonathan quickly made the jump to shooting
commercials, music videos, television shows, and feature films. His most
recent work can be seen on MTV’s Teen Wolf and AMC’s The Walking Dead.
FREDRICK WAFF (Production Designer)
Fredrick Waff has
a number of art-department credits on major features, including The Social
Network, Drive, The Curious Case
of Benjamin Button, Project X, Terminator
Salvation, Yes Man and Zodiac. His forthcoming releases as
production designer include the horror film Zombeavers, starring Bill Burr and Jon Mayer, the thriller Return to Sender, starring Nick Nolte and Rosamund Pike, and the recently completed Burying The Ex directed by Joe Dante starring Anton Yelchin and Ashley Green. Waff was born in Sacramento. He developed his fascination with film at an
early age, cultivating a love for all genres and a great respect for the craft
of filmmaking. He studied theater in New
York, then followed his heart to Los Angeles and carved out a career in
film. Waff keeps himself busy in his
free time with a number of outdoor activities and adding new titles to his
extensive library of classic movies. He
resides in the Los Angeles area.
MARSHALL HARVEY (Editor)
Marshall
Harvey is a graduate of the film school
at Cal Arts. After working on several
documentaries, early music videos, and trailers for New World Pictures, he
moved into feature films with The
Sword and the Sorcerer.
He has edited several movies and television productions for Joe Dante
including The
‘Burbs, Matinee, The Second Civil
War, Small Soldiers, Masters of Horror, Looney
Tunes: Back in Action, The Hole 3D and Burying
the Ex. Marshall
has also done films with directors Steve Miner (Lake Placid, Dawson’s Creek) Mick Garris (Riding
the Bullet) and has recently completed worked on Dario
Argento’s Dracula
3D.
Burying the Ex is Marshall’s eleventh collaboration with Joe Dante.
LYNETTE MEYER (Costume Designer)
Lynette Meyer began her fashion career making clothes for
her dolls, self, and neighborhood moms as a five-year-old sewing savant in
Minneapolis, MN. While studying fine art
at Minneapolis College of Art and Design, she fell in love with styling by
dressing underground punk bands for their shows, album art, and music
videos. After realizing the potential
for storytelling through costume, Lynette moved to Hollywood and has since
designed for films, theatre, commercials, and television.
Lynette’s costume designs can be seen in Neil
LaBute's The
Shape of Things, Nurse Betty and Lakeview
Terrace as well as Michael Winterbottom’s The Killer Inside
Me starring Casey Affleck and Jessica Alba.
She lives in Los Angeles with her French Bulldog, Henri.
JOSEPH LODUCA (Composer)
Joseph LoDuca is a
two-time Emmy Award winner and eleven-time nominated composer. His latest project is an
action/adventure/fantasy series entitled The Librarians, one of the many projects he has composed for producer Dean Devlin.
He began his film
career scoring director Sam Raimi’s Evil Dead Trilogy, and has continued that relationship through the top-rated
television series Spartacus (produced by Raimi/Tapert/Donen), Hercules: The
Legendary Journeys, and Emmy winners, The Legend
of the Seeker and Xena: Warrior Princess.
International film
credits include French productions Brotherhood of the Wolf (César nominee for Best Score), Saint Ange, and the Russian produced Soldier of Fortune (director Maxim Korostyshevsky).
In 2012, Patagonia (directed by Marc Evans) was chosen as the British entry for the
Foreign Language Oscar.
Recent projects
include Curse
of Chucky (director Don Mancini), recognized
as one of the Best Scores of 2013 by Film Music Magazine and Burying the Ex (for director Joe Dante). In
the past year, Joseph conducted his own works at the Varese Sarabande 35th
Anniversary Concert and at the prestigious Fimucite 8 festival in Tenerife,
Spain.
Joseph’s life-long
love affair with music began with deep rock and jazz roots coming up through
the rich music scene in the Motor City; to university studies of
composition and guitar in New York; expanding further to absorb the musical
languages of the Middle East, India, and Asia, finding fresh contexts for
ancient sounds and mastering the numerous ethnic instruments which he
plays on his scores. These influences,
plus a genuine enthusiasm for collaboration with talented filmmakers have
rewarded him with surprises such as operettas and musicals, which have earned
three Emmy nominations for his songs.
He sums it all up,
“I understand the language of music and how to apply it to storytelling. What
excites me is being able to inject who I am and what I discover every time I
work closely with a filmmaker.”
BURYING THE EX
Unit
Production Manager
SCOTT
FORT
First
Assistant Director
CYNTHIA
A. POTTHAST
Second
Assistant Director
ATHENA
ALEXANDER
Cast
Max
|
|
ANTON YELCHIN
|
Evelyn
|
|
ASHLEY GREENE
|
Olivia
|
|
ALEXANDRA DADDARIO
|
Travis
|
|
OLIVER COOPER
|
Chuck
|
|
ARCHIE HAHN
|
Blonde
Bimbo/Coco
|
|
GABRIELLE CHRISTIAN
|
Parent
|
|
JULIA MARCHESE
|
Goth
Girl #1/Demetrial
|
|
WYNDOLINE LANDRY
|
Goth
Girl #2
|
|
MARY KATE WILES
|
Bartender
|
|
MARK ALAN
|
Kat
|
|
OZIOMA AKAGHA
|
Kendra
|
|
STEPHANIE KOENIG
|
FHM
Centerfold
|
|
KATIE ROSS
|
Grumpy
Customer
|
|
JOHN HORA
|
Crusty
Old Cop
|
|
DICK MILLER
|
Scary
Mary
|
|
MARY WORONOV
|
Stunt
Coordinator
COLE
MCKAY
Associate
Producer
CRAIG
ROESSLER
GREGORY
ALPERT
Post
Production Supervisor
SAM
GAILEY
Art
Director
|
|
GEOFFREY BROWN
|
Set
Designer
|
|
JOEY FELD
|
Art
Department Coordinator
|
|
MONICA SOTTO
|
Painter
|
|
RAUL CONTERAS
|
Set
Decorator
|
|
ERIKA RICE
|
Leadman
|
|
DAVID LOITZ
|
On
Set Dressers
|
|
SALVADOR VALLE
|
|
|
SL WADE
|
A
Camera Operator
|
|
JEFF CLARK
|
A
Camera First Assistant
|
|
JOE SEGURA
|
A
Camera Second Assistant
|
|
ANDREW DICKIESON
|
B
Camera Operator
|
|
JASON OLDAK
|
B
Camera First Assistant
|
|
JUNE ZANDONA
|
B
Camera Second Assistant
|
|
LANI WASSERMAN
|
Still
Photographer
|
|
SUZANNE TENNER
|
Digital
Imaging Technician
|
|
NICK HILTGEN
|
Sound
Mixer
|
|
JAY PATTERSON
|
Boom
Operator
|
|
TOM PINNEY
|
Utility
Sound
|
|
KRIS MANNING
|
Chief
Lighting Technician
|
|
JEREMY GRAHAM
|
Assistant
Chief Lighting Technician
|
|
ROBERT SHOEMAKER
|
Lamp
Operators
|
|
THOMAS HOLM
|
|
|
CHRISTOPHER ANDERSON
|
|
|
VICTORIA CHENOWETH
|
Key
Grip
|
|
DJ TEDESCO
|
Best
Boy Grip
|
|
KYLE KOLDING
|
Grip
|
|
JAMES O’CONNOR
|
Additional
Grips
|
|
CONRAD WENDLAND
OMAR PENA
|
Script
Supervisor
|
|
HEATHER “CASPER” CASTERLIN
|
|
|
|
Costume
Supervisor
|
|
BRIGITTE FERRY
|
Set
Costumer
|
|
TASHA GOLDTHWAIT
|
Costume
PA
|
|
JOSEPH CASTELLANOS
|
Department
Head Hair
|
|
JOSEPH CHASE
|
|
|
|
Department
Head Make Up
|
|
SIAN RICHARDS
|
Key
Make Up Artist
|
|
ANIA HARASIMIAK
|
Assistant
Make Up Artist
|
|
YOLANDA PRICE
|
Special
Make Up Effects Supervisor
|
|
GARY J. TUNNICLIFFE
|
Location
Manager
|
|
GREGORY ALPERT
|
Key
Assistant Location Manager
|
|
BRIGETTE POPE
|
Location
Assistant
|
|
TIM ATTEWELL
|
Property
Master
|
|
TYLER PATTON
|
Assistant
Property Master
|
|
EDDIE GRISCO
|
Production
Coordinator
|
|
DAVID MALLEY
|
Production
Secretary
|
|
RYAN THOMPSON
|
Production
Assistant
|
|
ZACH LALIBERTE
|
2nd
2nd Assistant Director
|
|
MARISOL “ARI” OYOLA
|
Key
Set Production Assistant
|
|
BRIAN ANKRUM
|
Set PA
|
|
ASHLEY GRESSEN
|
Productions
Assistants
|
|
SETH FARLEY
|
|
|
MARC EFFENSON
|
Production
Accountant
|
|
WENDY SILL
|
1st
Assistant Accountant
|
|
LISA RUPPRECHT
|
|
|
|
Casting
Assistant
|
|
ALEX ISKOUNEN
|
Extras
Casting
|
|
BURBANK CASTING
|
|
|
SUSAN TURNER
|
|
|
MICHELLE GABRIEL
|
Craft
Service
|
|
DAVID GARCIA
|
|
|
LAURI LOOSEMORE
|
|
|
|
Set
Medic
|
|
STEVE MARTIN
|
|
|
|
Special
Effects Supervisor
|
|
KEVIN BERVE
|
Special
Effects Coordinator
|
|
SUSAN MILLIKEN
|
|
|
|
Transportation
Captain
|
|
KENNY KAPLAN
|
Transportation
Coordinator
|
|
LANCE CHERNIET
|
Set
Decoration Driver
|
|
TROY TOMERLIN JR.
|
Genie
Operator
|
|
MIKE VAN ITEM
|
Catering
Provided by
|
|
LORI’S KITCHEN
|
|
|
LORI GRIFF
|
Post
Production
Post
Production Supervisor
|
|
LARRY FERGUSON JR.
|
Assistant
Editor
|
|
WILLIAM YOUNG
|
Score
Produced By
|
|
JOSEPH LOCUCA
|
|
|
|||
Visual
Effects By
|
|
RELEVANT VFX
|
VFX
Supervisor
|
|
CONNOR MEECHAN
|
VFX
Producer
|
|
JAMES HUBER
|
Compositing
Supervisor
|
|
A. MICHAEL DOBBS
|
Lead
Compositor
|
|
SEAN COX
|
Compositor
|
|
DAVE DAMANT
|
VFX
Artists
|
|
ADEDUNMOLA OLANREWAJU
|
|
|
ANDREW MITCHELL
|
|
|
KYLE TEKIELA
|
Additional
On Set Supervision
|
|
CARLOS FUEYO
|
|
|
|
EPK
Editor
|
|
RILEY MORRIS
|
|
|
|
Title
Design
|
|
ANDREW MITCHELL
|
|
|
KYLE TEKIELA
|
VOLTAGE
PICTURES
|
||
International
Sales and Distribution
|
|
ELISABETH COSTA DE BEAUREGARD ROSE
|
|
|
JOHN SHORT
|
Marketing
and Publicity
|
|
BRIANNA BROWN
|
|
|
KATIE KATZ
|
Music
Clearance
|
|
MICHAEL WICKSTROM
|
|
|
CHRISTIAN EIMER
|
Post
Production Accountant
|
|
ASHLEY HARRIS
|
Administration
and Collections
|
|
JAMES MACLEAN
|
E&O
and General Liabilities Insurance Provided By
|
|
GALLAGHER ENTERTAINMENT INSURANCE
SERVICES
|
Legal
Services Provided By
|
|
RAMO LAW
|
|
|
MICHELLE CHANG
|
|
|
JESSICA JOHNSON
|
International
Servicing Provided By
|
|
BACKROOM INTERNATIONAL
|
|
|
CHUCK MARSHALL
|
|
|
JON HUOT
|
|
|
ROBERT SHEPPARD
|
BTX
Nevada, LLC is the author of this motion picture for the purpose of copyright
and other laws.
The
characters, entities and incidents portrayed herein and the names used herein
are fictitious, and any similarity to the name, character or history of any
person or entity is entirely coincidental and unintentional.
Ownership
of this motion picture is protected by copyright and other applicable laws of
the United States of America and other countries. Any unauthorized duplication,
distribution, or exhibition of this motion picture (including soundtrack) is
prohibited and could result in criminal prosecution as well as civil liability.
All
Rights Reserved.
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